A “monumental” hand-woven pandanus sail symbolising the centuries-long relationship between Yolngu of Arnhem Land and their Macassan neighbours in Indonesia, has taken out first prize within the prestigious Nationwide Aboriginal and Torres Strait Islander artwork awards (Natsiaa).
Margaret Rarru Garrawurra, a senior Yolngu artist from Lanarra in Arnhem Land, created the beautiful 2.8m-high hand-woven pandanus sail over a number of months of each day work.
Garrawurra, who gained the bark portray award in 2005, stated she is “proud and blissful” to win the principle prize of $100,000 for Dhomala (pandanus sail), which is about her cultural id and connection to her father, in addition to the historic relationships that endure between Yolngu individuals and the Macassans.

“I used to be with my sisters after I discovered about successful. We had been very blissful. It makes us proud to get first prize,” Garrawurra, generally known as Rarru, stated.
“Yolngu individuals had been watching Macassan individuals weaving their dhomala over time … then they began to make them. My father picked up the ability as nicely. He used to make them.
“I thought of how he made them, my father, and I began remembering. And now I’m making these.”
The sail options stripes of distinctive black-dyed pandanus. As a senior weaver at Milingimbi arts centre, Rarru is aware of the recipe for creating the black mol (dye) she makes use of – and use of mol is reserved for her, and people to whom she provides permission.

Rarru stated the work took months to create, from amassing pandanus and dyes in July final 12 months, and weaving from October to March “day-after-day, morning to nighttime” earlier than it was full.
The Natsiaa judges stated the work was “a monumental sculpture that’s each majestic in scale and exacting in technical virtuosity.”
“Hers is a strong work which reminds us that Yolngu have lengthy been energetic and intrepid explorers, taking part in worldwide commerce since nicely earlier than the arrival of the Europeans,” Myles Russell Cook dinner and Dr Joanna Barkmann, the judges, stated.
Winner of the work on paper was Larrakia artist Gary Lee for an attractive portrait of his grandfather, adorned with white blooms.
The late Ms D Yunupingu from Yirrkala gained the bark award for her joyous retelling of an necessary mermaid story that can also be a narrative of her relationship along with her father and conventional sea nation. Ms Yunupingu, who grew to become a grasp painter like her sisters late in life, used the intense magenta from printer cartridges to create the background on which the ghostly mermaids sit, representing sea creatures in addition to the celebrities of the night time sky.
From Buku-Larrnggay Mulka artwork centre, Merrkiawuy Ganambarr-Stubbs accepted the award on behalf of their beloved “mermaid woman”.
“Mermaid is the spirit that exposed itself to her father, my grandfather, on Wessel Island once they had been residing there within the late Thirties,” Ganambarr-Stubbs stated.
Ganambarr-Stubbs stated the portray captured Ms Yunupingu’s effervescent spirit.
“[In the painting room] you possibly can all the time hear her throughout the room, her laughter and she or he was all the time saying, ‘Superior!’ That was her favorite phrase.
“If she was right here, that is what she would say: ‘That is superior!’”
Jimmy Thaiday, from Darnley Island, gained the multimedia prize for a transferring movie concerning the affect of local weather change on his island and a sand key close by, which is now nearly fully underwater. Thaiday stated the $15,000 award will assist him make extra work addressing the disaster of local weather change within the Torres Strait.
“I encourage all of the youthful technology to stand up there and speak out, in the event that they really feel helpless about local weather change,” Thaiday stated. “It’s actually affecting our sand key, affecting breeding seasons for animals and birds, and vegetation, and our capacity to go there and speak to youthful ones about our traditions.”

Rebekah Raymond, curator of Aboriginal artwork and materials tradition at MAGNT, stated there have been 63 finalists from throughout Australia, representing greater than 44 totally different nations and language teams.
“This 12 months, I’ve seen a reemergence of robust works which can be made by hand in actually tactile practises – carving, ceramics, weaving – which rejoice working together with your fingers in such intimate methods,” Raymond stated.
“Throughout Covid, life slowed down somewhat bit. For lots of the artists throughout the north of this continent there was a return to homelands, and that gave them extra time to contemplate various things, to push their practise in new methods, to up the dimensions or return to one thing they’ve all the time completed.”
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The Telstra Nationwide Aboriginal & Torres Strait Islander artwork awards (Natsiaa) exhibition runs 6 August 2022 to fifteen January 2023 on the Museum and Artwork Gallery of the Northern Territory in Darwin. Particulars: www.natsiaa.com.au